(Katherine) We started the day with our 4th trip to the hospital to check on my infected eye. Another new doctor, but this one was very nice and was happy to report that the size of my abrasion had reduced - hurray! He set up yet another appointment for tomorrow with a cornea specialist (sigh) but at least I’m making positive progress. Another positive note from this trip downtown came in the form of a wonderful new restaurant discovery just around the corner. It was called Derby King, and the only patrons were locals (a.k.a. we were the only white people there). The food was delicious and prices were the cheapest we have seen in a real sit-down restaurant. We stuffed ourselves silly for less than $8.
Our next mission was have a “cultural experience”, and unfortunately our map provided some misleading information which lead to a 45 minute walk in blazing sun and humidity - yuck. After making several wrong turns, we finally made our way to the Jim Thompson House. Jim was an American who fell in love with Bangkok during the war and decided to live here permanently and revive the art of hand weaving silk. His prints became famous after they were featured in the movie “The King and I” and also featured in Vogue Magazine. To create his famous home, he took 6 individual teak buildings and assembled them in into one large house in which he both resided and offered tours which benefited Thai charities. In 1967, Jim went for a walk in the woods in Malaysia and was never seen or heard from again.
It’s a sad story, but what he left behind is truly magnificent - a gorgeous red structure filled with rare Buddha statues, exclusive porcelain dishes, handcrafted furniture, and tapestries which are several centuries old. We also learned that when you evaluate a tapestry, you should not only be trying to depict the story it tells; you should also look for the one small unfinished detail. Buddhist believe that you should never truly complete a work of art, because the act of completion is symbolic to the end of life. Therefore, they would always leave an unfinished face, eye, or perhaps a missing finger.
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